On your way to the main exhibition you pass an ambo. A few steps
ahead, on your right side, a large panel lists the names of the martyrs.
You know which martyr you are looking for, or you want to see them all.
You proceed to the directory of the martyrs.
You explore the ambo: It turns out that the curator left a notebook
there. Its display lits up as you touch it, and you see that it offers an
identification program for female martyrs.
You take a closer look at the Post-it® note that the
curator stuck to the ambo: It contains a
list of the recent additions.
